書籍介紹
此書回顧與反思近半世紀以來直至今日的亞際社會民眾劇場，勾勒劇場地圖，讓讀者理解從威權政體到改革開放的新自由主義社會，不同社會角落及歷史脈絡的劇場工作者，是如何面對各自存在的難題，打開一個又一個的劇場空間！
目次
TABLE OF CONTENTS
5 Opening Night
10 Mapping People’s Theater
13 INTRODUCYION Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics?
Joyce Chi-hui LIU (Translated by Kris CHI; proofread by LO Timothy and Zikri RAHMAN)
21 PREFACE Make Inquiries among the People: A Kind of On-site Performative Archive
LIN Hsin-I (Translated by Kris Chi; proofread by Lo Chun Yat, Timothy)
27 EDITORIAL NOTES Flowing Histories of People’s Theater in the Inter-Asian Context
Qi LI and Zikri RAHMAN
Part I
Heralds of Resistance: Inter-Asian People’s Theater In the Early Days
35 PETA’s GOLD: Gaming the Nation, Changing Asia
Glecy C. ATIENZA
55 Transnational Networks, People’s Theater and Radical Opposition in the New Order Indonesia
Muhammad FEBRIANSYAH
71 Moving History: Representation of Teater Kubur Performances from the New Order Regime to Post-Reformation in Indonesia
Ratu Selvi AGNESIA and DINDON W.S. (Translated by Jonathan PARHUSIP)
85 Moving History: Representation of Teater Kubur Performances from the New Order Regime to Post-Reformation in Indonesia (Indonesian)
Ratu Selvi AGNESIA and DINDON W.S. (Translated by Jonathan PARHUSIP)
97 A Transformative Theater of Dialogue: The Makhampom Theatre Group’s Negotiation of Thailand’s State of Repression
Richard BARBER
115 Angura Afterlives: On Sakurai Daizō’s Theory of “Tent Theater”
Robin WEICHERT
141 Review: Beyond These Words
AU Sow Yee (Translated by LEONG Jie Yu)
Part II
Emancipation of Body: The Origin and Transformation of
People’s Theater In Taiwan
147 People’s Theater in Taiwan: A Flooded History
HAN Jia-ling (Translated by Kris CHI; proofread by Shu-Chuan LIN)
177 The Presence of the Oppressed
WANG Mo-lin (Translated by IP Po Yee)
185 Can Theater Transform the World? Reflections on the People’s Theater in Asia
CHUNG Chiao (Translated by Kris CHI; proofread by Shu-Chuan LIN)
197 Theater and the Worship Ground: Langasan Theatre
Adaw Palaf LANGASAN (Translated by Kris CHI; proofread by Shu-Chuan LIN)
207 Return to the Theater of the Oppressed: Trans-Asia Sisters Theater’s Empowerment, Organizing and Mobilization
Hsiao-Chuan HSIA (Translated by Kris CHI; proofread by Shu-Chuan LIN)
213 Between Acting and Realities: Towards a Self-reflexive Practice of Shigang Mama Theater
LEE Show Shin (Translated by Kris CHI; proofread by Shu-Chuan LIN)
221 Review: Little Theater and the People
WU Sih-Fong (Translated by Kris CHI; proofread by Shu-Chuan LIN)
Part III
Outspreads: Practices of Peoples Theater In Our Time
231 The Background and Activities of Theater Playground SHIIM
BAEK Dae-hyun and HONG Seung-yi (Translated by BAEK Jin-sol)
239 Notes on Essay “The Background and Activities of Theater Playground SHIIM”
HONG Seung-yi (Translated by BAEK Jin-sol)
241 The Background and Activities of Theater Playground SHIIM (Korean)
BAEK Dae-hyun and HONG Seung-yi
247 Notes on Essay “The Background and Activities of Theater Playground SHIIM” (Korean)
HONG Seung-yi
249 Grass Stage at the North Gate of Foxconn: from World Factory to the Five-year
Theatrical Practice of Workers’ Theater
ZHAO Chuan (Translated by Victor FUNG; proofread by Kin TONG)
261 At the Boundaries of Body, Society, and Theater
WANG Chu-yu (Translated by Victor FUNG; proofread by Kin TONG)
273 Yuquan Training: A Perspective in the Practice of Oz Theatre Company
LIU Hsin-hung (Translated by LIANG Chun-wen)
279 A Self-interview: Of Teatro em Casa and Glimpses of Mozambique’s Theater
Assane CASSIMO
287 Review: People’s Theater, A Total War Towards the Theater Institutions
KUO Liang-ting (Translated by Kin TONG and Victor FUNG; proofread by Kin TONG)
Appendix
295 Biographies of Editors, Authors and Translators
305 Introduction to People’s Theater Practitioners
313 Glossary of English-Chinese Terms
編／著／譯者簡介
Qi Li
Qi Li is a Ph.D. student in Institute of Social Research and Cultural Studies in National Yang Ming Chiao Tung University. She came to Taiwan out of curiosity, then got a journey full of adventures. Her ongoing projects focus on life stories of the small theater practitioners, the technologies of mobility and governance in contemporary conditions, and the political-economic transitions on both sides of the Taiwan Strait over the last half-century. She writes articles and reviews for independent media and research institutions based in different countries. She was the coordinator of “Where the People Are…Workshop on People’s Theater in Inter-Asian Societies” in December 2018.
Zikri Rahman
Zikri Rahman has consistently embarked on collaborations with educational and cultural activist groups in various socio-political projects through Buku Jalanan, a rhizomatic network of street library movement he co-founded in the year 2011. Operating as a loose cultural and knowledge workers movements, it focuses on decentralizing the modes of knowledge production. Other than that, he is also affiliated with Pusat Sejarah Rakyat, independent archival research and documentation focusing on Malaysia and Singapore’s people’s history. With LiteraCity, he initiated a literary and cultural mapping project in the city of Kuala Lumpur. Currently pursuing his postgraduate studies in Social Research and Cultural Studies in Taiwan, Zikri is also a writer, independent researcher, translator, and podcaster for various ephemeral platforms.
Joyce C.H. Liu
Joyce C.H. Liu received her Ph.D. degree in Comparative Literature in 1984 from the University of Illinois at Urbana-Champaign, USA. Currently, Dr. Liu is the Director of the International Center for Cultural Studies, and a full-time professor at the International Program in Inter-Asia Cultural Studies, and the Director at the National Yang Ming Chiao Tung University. Her research focuses on geopolitics, biopolitics, border politics, internal coloniality, unequal citizens, epistemic decolonization, and artistic interventions. She has published six books, 100 peer-reviewed journal articles, and chapters and coedited nine books. She is leading two ongoing joint research projects: “Conflict, Justice, Decolonization: Critical Inter-Asia Cultural Studies,” awarded by the Ministry of Education, Taiwan (2018-2022), and “Migration, Logistics, and Unequal Citizens in the Global Context” (2019-2022), awarded by CHCI-Mellon Foundation.
分類
其他詳細資訊
- 英文題名： Where are the people? People's Theater in Inter-Asian Societies
- 適用對象：成人(休閒娛樂)
- 關鍵詞：resistance, politics, the oppressed, conversation
- 附件：無附件
- 頁/張/片數：320
授權資訊
- 著作財產權管理機關或擁有者：國立陽明交通大學
- 取得授權資訊：聯絡處室：國立陽明交通大學出版社
姓名：專責人員
電話：03-5712121-50155
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